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Vern Gosdin

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    Vern Gosdin

    Set 'Em Up (1995)


    Vern Gosdin
    Set 'Em Up
    1995 Sony Music Special Products 24195
    Country
    320kbps


    10 songs selected as the best of covering some of Gosdin's great while with Sony/Columbia.



    TrackList:

    01. Set 'Em Up Joe
    02. Tanqueray
    03. I'd Better Write It Down
    04. It's Not Over, Yet
    05. Garden, The
    06. Once and for All
    07. Take Me Home to Alabama
    08. Who Are You Gonna Blame It on This Time
    09. I Knew My Day Would Come
    10. That Just About Does It





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    Vern Gosdin: The Voice (1998)


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    Vern Gosdin has had an awful lot of hits (19 in the Top Ten alone) for someone whose name recognition is probably very low. He has never been anything other than 100-percent pure country, which means his chances of having more hits aren't as good as they ought to be. His phrasing and type of material have pretty much kept Gosdin in George Jones' big shadow, which isn't such a bad place to be.

    In the past, Gosdin could at times have been mistaken for Jones, but his voice isnot as deep here. His debt to Jones is still made obvious by the inclusion two of Jones' past hits, "We Must Have Been Out Of Our Minds" and "A Picture Of Me (Without You)." Those are two of four duets with newcomer Lacey Lynne, who complements him well.

    But it's Gosdin who carries the album's load, and with quality material like the swing number "Back In The Swing Of Things" and the Jones-ish "Baby That's Cold," the voice is more than up to it. This is a solid album for anyone craving "real" country music. by Joel Bernstein

    Personnel:
    Vern Gosdin (background vocals);
    Brent Rowan (guitar);
    Blue Miller (acoustic guitar);
    Mike Douchette (steel guitar);
    Larry Franklin (fiddle);
    Eddie Bayers (drums);
    Tony King (background vocals).



    TrackList:

    01. Back in the Swing of Things
    02. Baby That's Cold
    03. Streets of Gold
    04. Chip off the Chip off the Old Block
    05. How Can I Believe You (When You'll Be Leavin' Me)
    06. Let's Don't and Say We Did
    07. Fire in Our Bedroom
    08. We Must Have Been Out of Our Minds
    09. Maybe Then I'll Be over You
    10. I Know What It's Like (To Be Alone)
    11. Picture of Me, A (Without You)
    12. Would These Arms Be in Your Way





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    Vern Gosdin: Super Hits (1993)


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    Super Hits collects all of the biggest hits Vern Gosdin had on Columbia Records in the late '80s, including all of his Top 10 hits and the number ones "I'm Still Crazy" and "Set 'Em Up Joe." ~ Thom Owens


    TrackList:

    01. Set 'Em Up Joe
    02. Chiseled in Stone
    03. Do You Believe Me Now
    04. That Just About Does It
    05. This Ain't My First Rodeo
    06. Tanqueray
    07. I'm Still Crazy
    08. Who You Gonna Blame It on This Time
    09. Right in the Wrong Direction
    10. Is It Raining at Your House





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    Vern Gosdin: 24 Karat Heartache (2003)


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    On his second album in 1997 and his first for the American Harvest Recording Society after leaving Columbia, Vern Gosdin enlisted Ron Oates as co-producer. This is the most melancholy and dark record he's ever issued. It's also the most beautiful and tender. In fact, given how many albums he's issued, this is one of the true classics in his catalog. Having written everything here, Gosdin claims they were written for one woman who left him; he also says quite honestly that when she left these songs became hard to sing, and he did the best he could. Damn! Gosdin's protagonists take full responsibility for their folly in losing the women they love. This is plain on "The Number," where two men meet in a bar -- one claims to know the best lover in town and the protagonist gets his number from the boaster, only to find it's his own and blame himself for her going bad. And this is just the beginning. The title cut, in classic Gosdin ballad style, is about a woman whose wedding ring becomes a "24 Karat Heartache" 24 hours a day. "Three or Four Times a Day" is the silky Gosdin honky tonk trademark. Without the slickness of his Columbia productions, the true depth of Gosdin's voice comes bursting forth from the mix in pure country-soul grandeur. "All the Way Through" is a midtempo love song with a dynamite chorus, accented rhythm section, and backing vocal by Dennis Wilson. The hard-driving "Wettest Dry County" is badass outlaw country with kicking guitars and pedal steel. "What I Threw Away" is the most devastating, self-incriminating confession Gosdin's ever written. On the last two tracks, "I'm Where a Memory (Can Die for a Night)" and "Where Do We Take It from Here," Gosdin shows listeners both sides of the coin of escapism and the wish to transcend the present state of separation and resolve it all one way or another. But in the grain of Gosdin's voice, it feels like this is a futile exercise, whispered by a ghost. There are few records as consistently fine in country music. There are few singers who could pull off a set like this without sounding forced or hackneyed, but then, Gosdin is the Smokey Robinson of country music, and what else would you expect? ~ Thom Jurek


    TrackList:

    01. Tell The Number
    02. I’ll Understand
    03. 24 Karat Heartache
    04. Three Or Four Times A Day
    05. All The Way Through
    06. Runnin’ Out Of Reasons To Leave
    07. Who I Came To Forget
    08. The Wettest Dry County
    09. What I Threw Away
    10. I’m Where A Memory (Can Die For A Night)
    11. Where Do We Take It From Here





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