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Grant Green

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  1. #1
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    Grant Green

    Grant Green - Green Street (1961)



    Genre: Jazz / hard bop, soul-jazz

    Amazon.com:
    Green Street, recorded on April 1, 1961, was Grant Green's second Blue Note album as a leader and remains one of the finest albums of his prolific Blue Note output. Supported by just Ben Tucker's bass and Dave Bailey's drums, the guitarist seems inspired by the absence of any other chordal instrument. His harmonic and interpretive imagination is in high gear on this unique masterpiece in his discography. Added to the original album are two alternate takes.

    Allmusic.com:
    Most of guitarist Grant Green's recordings of the 1960s feature him in larger groups, making this trio outing with bassist Ben Tucker and drummer Dave Bailey a strong showcase for his playing. Green, whose main competitor on guitar at the time was Wes Montgomery, already had his own singing sound and a highly individual hornlike approach. He stretches out on a full set of attractive originals plus "'Round Midnight" and "Alone Together," so this recording is an excellent introduction to his appealing and hard-swinging style.

    Reviewer:
    This is not only a great guitar album; it's a great jazz album. Grant Green was a master improvisor and on this CD we hear him in just the company of bass and drums. He makes the most of his opportunity. Green's high, bright guitar sound is on display, but it's his constant improvisational ideas which are so fascinating. Green never hurries but weaves his melodic lines together in a coherent way that captures your attention and invites repeat hearings. Bassist Ben Tucker and drummer Dave Bailey provide swinging and unobstrusive support for the leader's lines throughout. Every tune is a highlight, though special mention must be made of "Round About Midnight" and the 2 takes of "Green With Envy" (based on Horace Silver's "Nica's Dream"). The remastering job by Rudy Van Gelder is superb. There is not a dull moment in this highly recommended 54 minute CD.

    Personnel:
    Grant Green (guitar);
    Ben Tucker (bass);
    Dave Bailey (drums)

    Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on April 1, 1961. Originally released on Bluenote (4071). Digitally remastered by Rudy Van Gelder. This is part of Blue Note's RVG series.

    Tracks:
    1. No. 1 Green Street
    2. Round About Midnight
    3. Grant's Dimensions
    4. Green With Envy
    5. Alone Together
    6. Green With Envy - (alternate take)
    7. Alone Together - (alternate take)

    MP3 ~ 320Kbps ~ RS.com ~ 70mb + 59mb

    Last edited by Rock'n'Roll Nigger; 04.11.2008 at 10:55.

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  3. #2
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    Grant Green

    Grant Green - Talkin' About! (1964)



    Grant Green - Talkin' About! (1964)
    Genre: Jazz / hard bop, soul-jazz

    Cduniverse.com:
    Grant Green, Larry Young and Elvin Jones, who would later appear together on Young's classic INTO SOMETHIN' session, gel into cohesive trio on Green's rare TALKIN' ABOUT disc from 1964. The three virtuosos burn brightly from the start as they tackle challenging tunes like the opening "Talkin' About J.C." and "Luny Tune." Also, Green's magnificent lyricism is evident on his beautiful reading of the classic "You Don't Know What Love Is." Two unusual choices for the session, however, are "People," long associated with singer Barbara Streisand, and the Johnny Mercer novelty "I'm an Old Cowhand," both of which get delightful performances here as the trio makes creative use of the well-known melodies. For Green fans, this is a welcome addition to any collection.

    Allmusic.com:
    On the heels of Matador and Solid, two of his most advanced albums, Grant Green decided to continue the more modal direction he'd begun pursuing with the help of members of Coltrane's quartet. Accordingly, he hooked up with organist Larry Young, who was just beginning to come into his own as the first Hammond B-3 player to incorporate Coltrane's modal innovations into his own style. Talkin' About is the first of three albums the Green/Young team recorded together with Coltrane drummer Elvin Jones, and it's exceptional, one of the most underrated items in Green's discography. With just a basic organ trio lineup, the album works a fascinating middle ground between the soul-jazz of Green's early days and the modal flavor of his most recent work. Though Young's style wasn't quite fully formed yet, he's no longer the in-the-pocket Jimmy Smith disciple of his earliest sessions; his playing here is far more adventurous than the typical soul-jazz date, both harmonically and rhythmically. Jones and Young often play off one another to create an intricate, percolating pulse that's miles ahead of the standard soul-jazz groove. The trio's interplay is best showcased on Young's Coltrane tribute, "Talkin' About J.C.," a monster jam that's worth every one of its nearly 12 minutes, and the cheerful "I'm an Old Cowhand," popularized as a jazz tune by Sonny Rollins. Meanwhile, Young and Green positively shimmer together on the ballad numbers, "People" and "You Don't Know What Love Is." It all makes for a terrific album that ranks in Green's uppermost echelon.

    Personnel:
    Grant Green (guitar);
    Larry Young (organ);
    Elvin Jones (drums)

    Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on September 11, 1964. Originally released on Blue Note (84183).

    Tracks:
    1. Talkin' About J. C.
    2. People
    3. Luny Tune
    4. You Don't Know What Love Is
    5. I'm An Old Cowhand

    MP3 ~ 192Kbps ~ RS.com ~ 54mb


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    Grant Green

    Grant Green - Street of Dreams (1965)



    with original Blue Note LP Covers
    Genre: Jazz / hard bop, soul-jazz

    Cduniverse.com:
    Next to the immensely popular IDLE MOMENTS, STREET OF DREAMS is quite possibly Grant Green's most significant Blue Note album. Returning from the earlier IDLE MOMENTS session is the always-intriguing Bobby Hutcherson on vibraphone, an excellent match for Green's melodic guitar. Also reappearing from a previous session, the lesser-known TALKIN' ABOUT, are organ wonder Larry Young and the incomparable Elvin Jones on drums.

    Although Green is the leader here, this is a quartet of masters, and the result is a magical session. Green's clean tone defines the foreground of the four selections on this set with Hutcherson's vibes providing a shimmering backdrop. Young and Jones, meanwhile, hold together a sonic tug-of-war that ebbs and flows like a rhythmic tide. Green is at his best on the opening "I Wish You Love" and the bouncing title track, with smartly conceived melodic statements and authoritative rhythmic precision. Hutcherson and Young also shine on concise solo spots of their own, following Green's lead with their own highly individual styles. Ultimately, though this is a brief session, it contains a wealth of masterful performances that typify the golden age of hard bop.

    Reviewer:
    Perhaps it's a bit odd that while the 1950s and 1960s threw up many notable guitarists--Montgomery, Galbraith, Puma, Hall, Ellis, Lowe, Pass, &c--they mostly tended to the quieter end of the spectrum: the guitar wasn't frequently encountered in the tough-as-nails, abrasive music known as hard bop. The only two guitarists to have made much of an impact at Blue Note, the home of hard bop, were Kenny Burrell & Grant Green. Green was a guitarist blessed with the ability to make just about anything sound good; even something as unpromising as "Moon River" (on _The Complete Quartets with Sonny Clark_) in his hands becomes convincing & impeccable jazz. His playing was supremely melodic, unornamented & relaxed; his sound was delicate, but surprisingly adaptable to even the toughest of hard bop contexts. He recorded in a lot of settings; at the time Blue Note seemed mostly interested in his more commercially-oriented work (gospel, blues, organ trio, Latin, pop standards), & it was only after Green's untimely death in the late 1970s that a lot of Green's most important & grittiest work was released, like a pair of albums with McCoy Tyner & Elvin Jones in the rhythm section, or a clutch of discs with Sonny Clark on piano. Unfortunately, as the 1960s wore on like many jazz musicians (& especially guitarists--think of Montgomery & Benson) Green more & more turned to commercially-oriented music; but his numerous mid-1960s discs amply document a figure who is as much a neglected master as, say, Sonny Clark or Herbie Nichols (though like them he is finally getting his due).

    This album was released during Green's life, fortunately, & remains one of his best. The band features Larry Young on organ, Bobby Hutcherson on vibes & Elvin Jones on drums. If at a casual glance the setlist looks more "commercial" than an album like _Idle Moments_ (Green's finest album as a leader), given that it is dependent on standards rather than originals, don't let that fool you. The best of these four long, relaxed performances is a version of "Lazy Afternoon", reworked into a 5/4 groove, the theme given a tranced, elongated reading. But all four tracks are memorable, unfolding gently, with an almost mesmerizing shimmer. Despite its being on the Blue Note label, this disc is as introspective of mood as a contemporary Bill Evans trio date.

    The players on this disc crossed paths several times again. The Green/Young/Jones axis frequently appeared in Van Gelder's studio: they also recorded Green's _Talkin' About_, Young's _Into Somethin'_ (with Sam Rivers), & Green's _I Want to Hold Your Hand_ (with Hank Mobley; the title track is another fine instance of Green's ability to make compelling jazz out of unlikely material)--if none of these discs quite touches _Street of Dreams_ they are still all rewarding listens. Bobby Hutcherson was also a key component of _Idle Moments_, which stands as Green's greatest achievement on disc.

    Amazon reviewer:
    One of my top ten favorite jazz albums, it captures a certain feel of West Coast Cool. It's mellow music but there is complexity and brilliance to Green's guitar work that gives the music an intricacy and vigor worth listening to over and over again. Smooth but not flaccid. But this album would be an important part of your jazz collection even without appreciating the cryptic subtleties that lend it weight. It works just as well on a simpler level, purely on it's charming, hypnotic sound. Green's guitar solos float buoyantly over the smooth sounds of Larry Young's organ work, accented by Bobby Hutcherson's vibes and an appropriately restrained Elvin Jones on drums. Don't believe me? Sample track 3, Streets of Dreams, and see.

    Personnel:
    Grant Green (guitar)
    Bobby Hutcherson (vibraphone)
    Larry Young (organ)
    Elvin Jones (drums)

    Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on November 16, 1964. Originally released on Blue Note (84253).

    Tracks:
    1. I Wish You Love
    2. Lazy Afternoon
    3. Street Of Dreams
    4. Somewhere In The Night

    MP3 ~ 192Kbps ~ RS.com ~ 46mb


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    Grant Green - Nigeria (1962)



    Tracklist:

    1-Airegin
    2-It Ain't Necessarily So
    3-I Concentrate on You
    4-The Things We Did Last Summer
    5-The Song Is You

    Last edited by smejker; 04.05.2010 at 10:57.



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    Grant Green - Grant's First Stand (1961) [Lossless]



    Jazz | FLAC (Cue, Log, no Scan) | 232 MB (rec. 5%)
    EAC Rip | Time: 40:04 min | Label: BlueNote



    Tracklist:
    1 Miss Ann's Tempo (5:39)
    2 Lullaby of the Leaves (7:42)
    3 Blues for Willareen (7:08 )
    4 Baby's Minor Lope (7:18 )
    5 'Tain't Nobody's Bizness If I Do (4:26)
    6 A Wee Bit O'Green (7:47)

    Download
    Last edited by millaa; 09.04.2011 at 15:47. Reason: uklonjeni mrtvi linkovi
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