Tema: Miles Davis

Miles Davis - On the Corner (1972)

On the Corner is a jazz fusion album recorded in June and September 1972. It was scorned by critics at the time of its release and was one of Davis's worst-selling recordings. Its critical standing has improved dramatically with the passage of time; today it is seen as a strong forerunner of the musical techniques of post punk, hip hop, drum and bass, and electronic music.

1. "On the Corner / New York Girl / Thinkin' One Thing and Doin' Another / Vote for Miles" (19:55)
2. "Black Satin" (5:16)
3. "One and One" (6:09)
4. "Helen Butte / Mr. Freedom X" (23:18)

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Miles Davis - Sketches of Spain (1960)

Recorded between November 1959 and March 1960. The album pairs Davis with arranger and composer Gil Evans, with whom he had collaborated on several other projects, on a program of compositions largely derived from the Spanish folk tradition. (An extended version of the second movement of Joaquin Rodrigo's Concierto de Aranjuez is also included, as well as a tune called "Will o' the Wisp", from a ballet by Manuel de Falla.)

1. "Concierto de Aranjuez" (Adagio) (Joaquín Rodrigo) –16:19
2. "Will o' the Wisp" (Manuel de Falla) –03:47
3. "The Pan Piper" (Gil Evans) –03:52
4. "Saeta" (Evans) –05:06
5. "Solea" (Evans) –12:15

Bonus tracks added after upon reissue in 2000:

6. "Song of Our Country" (Evans) –03:23
7. "Concierto de Aranjuez" (alternative take; part 1) (Rodrigo) –12:04
8. "Concierto de Aranjuez" (alternative take; part 2 ending) (Rodrigo) –03:33

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Miles Davis - 1953/54 - Blue Haze

1. I'll Remember April D. Raye, G. DePaul and P. Johnston 7:52
2. Four M. Davis and E. Vinson 4:00
3. Old Devil Moon B. Lane and E.Y. Harburg 3:22
4. Smooch M. Davis and C. Mingus 3:04
5. Blue Haze M. Davis 6:08
6. When Lights are Low B. Carter and C. Williams 3:25
7. Tune Up M. Davis and E. Vinson 3:52
8. Miles Ahead M. Davis and G. Evans 4:28

"Smooch", "When Lights are Low", "Tune Up", "Miles Ahead" (19 May 1953):

Miles Davis - Trumpet
John Lewis - Piano (not on "Smooch")
Charles Mingus - Piano ("Smooch" only)
Percy Heath - Bass
Max Roach - Drums

"Four", "Old Devil Moon", "Blue Haze" (15 March 1954):

Miles Davis - Trumpet
Horace Silver - Piano
Percy Heath - Bass
Art Blakey - Drums

"I'll Remember April" (3 April 1954):

Miles Davis - Trumpet
David Schildkraut - Alto saxophone
Horace Silver - Piano
Percy Heath - Bass
Kenny Clarke - Drums

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Miles Davis - Miles Ahead (1957) (Japan Mini LP 2006 Remaster)



1. Springsville
2. Maids Of Cadiz, The
3. Duke, The
4. My Ship
5. Miles Ahead
6. Blues For Pablo
7. New Rhumba
8. Meaning Of The Blues
9. Lament
10. I Don't Wanna Be Kissed (By Anyone But You)

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Miles Davis/"1989 - Amandla"
Jazz | [EAC+CUE+APE+LOG+COVER] | 280 Mb



Track List:
1. Catambe (Miller) - 5:38
2. Cobra (Duke) - 5:16
3. Big Time (Miller) - 5:41
4. Hannibal (Miller) - 5:50
5. Jo-Jo (Miller) - 4:51
6. Amandla (Miller) - 5:21
7. Jilli (Bigham) - 5:06
8. Mr. Pastorius (Miller) - 5:42

Featuring:
Miles Davis - Trumpet
George Duke - Arranger, Keyboards, Producer, Synclavier
Omar Hakim - Drums
Joe Sample - Piano
Jean-Paul Bourelly - Guitar, Percussion
Don Alias - Percussion
Foley - Guitar
Bashiri Johnson - Percussion
John Bigham - Guitar, Arranger, Keyboards
Mino Cinelu - Percussion
Paulinho Da Costa - Percussion
Joey DeFrancesco - Keyboards
Al Foster - Drums
Kenny Garrett - Sax (Alto), Sax (Soprano)
Michael Landau - Guitar
Rick Margitza - Sax (Tenor)
Jason Miles - Synthesizer
Marcus Miller - Bass, Clarinet, Guitar, Clarinet (Bass), Drums, Keyboards, Sax (Soprano)
Billy Patterson - Guitar, Wah Wah Guitar
Ricky Wellman - Drums
Rick Marcitza - Sax (Tenor)

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Miles Davis - "1985 - You're Under Arrest"
Genre: Jazz | [EAC-CUE-APE-LOG-COVER] | 220 Mb



1. One Phone Call, Street Scenes [4:36]
2. Human Nature [4:31]
3. Intro: MD 1, Something's On Your Mind, MD 2 [7:18]
4. Ms. Morrisine [4:57]
5. Katia Prelude [0:42]
6. Katia [7:39]
7. Time After Time [3:39]
8. You're Under Arrest [6:13]
9. Medley: Jean Pierre, You're Under Arrest, Then There Were None [3:27]
(9 total)

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Miles Davis / "1986 - Tutu"
Genre : Jazz | [EAC+CUE+APE+LOG+COVER] | 280 Mb



1. Tutu [5:16]
2. Tomaas [5:38]
3. Portia [6:19]
4. Splatch [4:47]
5. Backyard ritual [4:49]
6. Perfect way [4:35]
7. Don't lose your mind [5:50]
8. Full Nelson [5:07]
(8 total)

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Miles Davis - 1998 - The Complete Bitches Brew Sessions @ 320




The Complete Bitches Brew Sessions is a four-disc box set of music recordings by trumpeter Miles Davis. The set collects tracks that Davis recorded between August 19, 1969 and February 6, 1970, including the 1970 double album Bitches Brew in its entirety. However, the title of the box set is somewhat of a misnomer: outside of the Bitches Brew tracks themselves, none of the other tracks appeared on Bitches Brew upon its original release, nor were they recorded during the same August 1969 sessions that resulted in Bitches Brew. Furthermore, additional material recorded for, but not used in Bitches Brew, is not included in this set.

The box set includes some tracks that had never been previously released, one of which, the Wayne Shorter composition "Feio," has since appeared as a bonus track on compact disc reissues of Bitches Brew. Other tracks in the box set had previously appeared on the albums Live-Evil, Big Fun, and Circle in the Round.

Track listing

Disc One:

"Pharaoh's Dance" (Joe Zawinul) 20:06
"Bitches Brew" (Miles Davis) 26:58
"Spanish Key" (Davis) 17:34
"John McLaughlin" (Davis) 4:22

Disc Two:

"Miles Runs the Voodoo Down" (Davis) 14:01
"Sanctuary" (Wayne Shorter) 10:56
"Great Expectations" (Davis - Zawinul) 13:45
"Orange Lady" (Zawinul) 13:50
"Yaphet" (Davis) 9:39
"Corrado" (Davis) 13:11

Disc Three:

"Trevere" (Davis) 5:55
"The Big Green Serpent" (Davis) 3:35
"The Little Blue Frog" (alternate take) (Davis) 12:13
"The Little Blue Frog" (Davis) 9:09
"Lonely Fire" (Davis) 21:09
"Guinnevere" (David Crosby) 21:07

Disc Four:

"Feio" (Shorter) 11:49
"Double Image" (Zawinul) 8:25
"Recollections" (Zawinul) 18:54
"Take It or Leave It" (Zawinul) 2:13
"Double Image" (Zawinul) 5:52

Personnel:

Collective listing for all recording sessions.

Don Alias - Percussion, Conga, Drums
Khalil Balakrishna - Sitar
Harvey Brooks - Bass, Electric bass
Ron Carter - Bass
Billy Cobham - Drums, Triangle
Chick Corea - Electric piano
Miles Davis - Trumpet, Vocals
Jack DeJohnette - Drums
Steve Grossman - Soprano saxophone
Herbie Hancock - Electric piano
Dave Holland - Bass, Electric bass
Bennie Maupin - Bass clarinet
John McLaughlin - Guitar
Airto Moreira - Berimbau, CuÃ*ca, Percussion
Bihari Sharma - Tabla, Tamboura
Wayne Shorter - Soprano saxophone
Juma Santos (Jim Riley) - Conga, Shaker
Lenny White - Drums
Larry Young - Organ, Celeste, Electric piano
Joe Zawinul - Electric piano





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Miles Davis - Black Beauty Miles Davis at the Fillmore West



Miles Davis - Trumpet
Steve Grossman - Soprano Sax
Chick Corea - Electric Piano
Dave Holland - Electric Bass
Jack DeJohnette - Drums
Airto Moreira - Percussion

Disc one

01. Directions
02. Miles Runs the Voodoo Down
03. Willie Nelson
04. I Fall In Love Too Easily
05. Sanctuary
06. It's About That Time


Disc two

01. Bitches Brew
02. Masqualero
03. Spanish Key/The Theme

Bitrate:320 kbps




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Miles Davis - 1992 - Doo-Bop




01. Mystery
02. The Doo Bop Song
03. Chocolate Chip
04. High Speed Chase
05. Blow
06. Sonya
07. Fantasy
08. Duke Booty
09. Mystery (Reprise)

Bitrate:320kbps





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Miles Davis Quintet - Monterey Jazz Festival (1963)



MP3 ~ 256kbps ~ Covers ~ RS.com ~ 102mb ~ 5% File Recovery

This previously unreleased live album features Miles Davis on trumpet, George Coleman playing the tenor saxophone, Herbie Hancock on piano, Ron Carter playing bass and Tony Williams on drums. Produced by Jimmy Lyons, this album was recorded live at the Monterey Jazz Festival on September 22, 1963.

Guardian.co.uk:
This is a transitional point for Miles Davis, recorded at the Monterey festival on September 20 1963 with the band that had been formed that summer around the visionary young rhythm section of recently -emerged pianist Herbie Hancock, bassist Ron Carter and the 16 year-old drummer Tony Williams. It's transitional because the music still reflects the bebop and standards-based music that drove Miles' late-1950s bands, whilst looking forward to the more abstract possibilities opened up by the pared- down modal structures introduced on Milestones and Kind of Blue. Saxophonist George Coleman, an overlooked figure in the Miles story but an awesome, if orthodox, virtuoso, unleashes a few avalanches of hard-boppish improvisation, Herbie Hancock already sounds as if no musical thought is out of reach of his fingers - his solo on a high-tempo So What is jaw-dropping - and the whirlwind Williams' drumming on the same famous track spurs all the soloists to the edge. The earlier Seven Steps to Heaven and Miles in Antibes albums also represent this heated 1963 summer - so this might be a completist's option, but it's a very persuasive one.

The new series of unreleased concerts of the Monterey Jazz Festival are splendid. It seems if we can add long hidden treasures from several jazz greats to our collections. The first few are out, and among these is a very fine concert of Miles Davis Quintet, recorded 44 years ago with George Coleman, Herbie Hancock, Ron Carter and Tony Williams. As we all know Clint Eastwood, great jazz-lover, is behind the Monterey Jazz Festival for many years, and it's great that now we can have these unexpected music. Miles and his group are in great shape on this one. Splendid and long, inspired tracks are: Autumn Leaves, So What, Stella by Starlight and Walkin', all over 10 minutes each! Of course Miles played these tracks many. many times, but here in Monterey he blows his head off. Listen to "So What" taken here in dazzling tempo, or to the beautiful "Stella", the group is at his very best. You will realise that Clint ("Make my day") really makes our days to give us back these treasures from long ago. I am really looking forward what other treasures will be released, because the first volumes and The Sampler are just great! --Arnold van Kampen, jazzcritic, the Netherlands.

Personnel:
Miles Davis, trumpet
George Coleman, tenor sax
Herbie Hancock, piano
Ron Carter, bass
Tony Williams, drums

Recorded at County Fairgrounds , Monterey - California, USA, 20 August, 1963

Tracks:

01. Intro (Waiting for Miles)
02.Autumn Leaves (11:11)
03. So What (11:15)
04. Stella by Starlight (14:15)
05. Walkin’ (12:36)
06. The Theme (1:18)




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The Miles Davis and Gil Evans - Complete Columbia Studio Recordings (6CD Box) (1957)





THE COMPLETE COLUMBIA STUDIO RECORDINGS compiles all of Miles Davis' collaborations with composer/arranger Gil Evans. Included are the original and alternate versions of the four albums that Davis and Evans made together--MILES AHEAD, PORGY AND BESS, SKETCHES OF SPAIN and QUIET NIGHTS--as well as various outtakes and unreleased tracks. More than half of the material is previously unreleased.

THE COMPLETE COLUMBIA STUDIO RECORDINGS won 1997 Grammy Awards for Best Historical Album, Best Album Notes (by George Avakian, Bob Belden, Bill Kirchner and Phil Schaap), and Best Recording Package - Boxed.
.............

The success rate of Miles Davis and Gil Evans astounds - their first three albums, Miles Ahead, Porgy And Bess and Sketches Of Spain, are masterpieces, monuments in the history of recorded jazz. All of their collaborations are important and will remain influential. Newly remixed from the original session tapes, this set brings to light the natural sonic beauty of the music as originally recorded, and digs further into the making of these complex masterpieces. In addition to alternate takes and later sessions, producer Phil Schaap has unearthed telling rehearsal sequences and overdub sessions that bring the listener into the process.

Disc One introduces the original Miles Ahead Lp in stereo for the first time, despite failed attempts to reissue the album in its original form and assertions that the raw material did not exist to rebuild this heavily-edited work in stereo. Following the original masters is the entire suite repeated in alternate takes, mostly unissued.

The original Porgy And Bess begins Disc Two. It is followed by a set of alternate takes which appear, unlike the album, in operatic order. These bonus tracks are framed by alternate takes of Gil Evans' "Gone".

Sketches Of Spain occupies Disc Three. Following the album, bonus tracks are framed by two takes of "Song Of Our Country", a related piece belatedly issued on a 1981 anthology.

Disc Four begins with the six Evans/Davis recordings that made up the bulk of the Quiet Nights Lp, followed by a unique sextet session with Bob Dorough. Two previously unissued sessions, which have been the subject of much speculation over the years, follow. "The Time Of The Barracudas" was written and recorded by Miles and Gil as music to accompany a stage presentation of Peter Barnes' play of the same name. Although this original version of the suite is released here for the first time, the score did give birth to two Gil Evans classics, "Hotel Me" and "General Assembly". The exotic "Falling Water" from 1968 is the last orchestral studio collaboration by Davis and Evans. Its unusual instrumentation was revived later that year for their legendary Berkeley Jazz Festival appearance.

The remainder of Disc Four brings us back to the beginning with alternate takes from the Miles Ahead sessions. Their inclusion covers musical fragments used in the two previous CD attempts to reissue the original album. Rather than duplicate any editing that was not part of the original, the complete performances of the takes used to make those hybrid versions are issued here.

Disc Five is essentially the making of Miles Ahead with more takes, illuminating rehearsals and studio discussions that Schaap uncovered in his quest to do the near impossible - give us the original Miles Ahead in stereo. Disc Six features the final piece of the Miles Ahead puzzle, the session at which Miles overdubs his flugelhorn on sections of four masters from the album. This is followed by rehearsal material and more alternate takes from Porgy And Bess. The set closes with a return to Sketches Of Spain, Miles' favorite. The highlight is a version of "Concierto De Aranjuez", with Gil conducting and Miles just listening.




DISC 1: MILES AHEAD:
01. Springsville
02. Maids Of Cadiz, The
03. Duke, The
04. My Ship
05. Miles Ahead
06. Blues For Pablo
07. New Rhumba
08. Meaning Of The Blues, The
09. Lament
10. I Don't Wanna Be Kissed (By Anyone But You)
11. Springsville - (remake take 7)
12. Maids Of Cadiz, The - (take 1)
13. Duke, The - (take 11)
14. My Ship - (take 1)
15. Miles Ahead - (take 4)
16. Blues For Pablo - (take 1)
17. New Rhumba - (take 5)
18. Meaning Of The Blues, The - (rehearsal take)
19. Lament - (rehearsal take)
20. I Don't Wanna Be Kissed (By Anyone But You) - (take 8)
21. Pause Track




DISC 2: PORGY AND BESS:
01. Buzzard Song
02. Bess, You Is My Woman Now
03. Gone
04. Gone, Gone, Gone
05. Summertime
06. Oh Bess, Oh Where's My Bess
07. Prayer (Oh Doctor Jesus)
08. Fishermen, Strawberry And Devil Crab
09. My Man's Gone Now
10. It Ain't Necessarily So
11. Here Come De Honey Man
12. I Loves You, Porgy
13. There's A Boat That's Leaving Soon For New York
14. Gone - (take 3)
15. Summertime - (take 2)
16. Prayer (Oh Doctor Jesus) - (take 2)
17. I Loves You, Porgy - (take 1, second version)
18. There's A Boat That's Leaving Soon For New York - (take 2)
19. Oh Bess, Oh Where's My Bess - (take 5)
20. Gone - (take 4)
21. Pause Track




DISC 3: SKETCHES OF SPAIN:
01. Concierto De Aranjuez (Adagio)
02. Will O' The Wisp
03. Pan Piper, The
04. Saeta
05. Solea
06. Song Of Our Country - (issued take)
07. Saeta - (full version)
08. Pan Piper, The - (take 1)
09. Concierto De Aranjuez (Adagio) - (alternate take, part one)
10. Concierto De Aranjuez (Adagio) - (alternate take, part two)
11. Song Of Our Country - (take 14)
12. Pause Track




DISC 4: QUIET NIGHTS AND MORE:
01. Song No. 2
02. Once Upon A Summertime
03. Aos Pes Da Cruz
04. Song No. 1
05. Wait Till You See Her
06. Corcovado
07. Blue Xmas
08. Nothing Like You
09. Devil May Care
10. Time Of The Barracudas, The
11. Falling Water - (take 4)
12. Falling Water - (take 6)
13. Falling Water - (take 8)
14. Falling Water - (take 9)
15. Springsville - (take 5)
16. Maids Of Cadiz, The - (take 11)
17. Maids Of Cadiz, The - (take 11, insert 1)
18. Lament - (medley: take 2)
19. Duke, The - (take 1)
20. I Don't Wanna Be Kissed (By Anyone But You) - (53225 issued version)




DISC 5: THE MAKING OF MILES AHEAD:
01. Springsville - (rehearsal sequence)
02. Springsville - (rehearsal with piano)
03. Maids Of Cadiz, The - (take 9)
04. Maids Of Cadiz, The - (take 10)
05. Maids Of Cadiz, The - (rehearsal sequence)
06. Count Off For The Duke - (take 3)
07. Duke, The - (take 8)
08. Duke, The - (piano take 3)
09. My Ship - (take 6)
10. Miles Ahead - (rehearsal sequence)
11. Miles Ahead - (take 12)
12. Miles Ahead - (take 15)
13. Studio Discussion
14. My Ship - (take 7)
15. Miles Ahead - (mono, piano insert)
16. Blues For Pablo - (rehearsal sequence)
17. New Rhumba - (take 2)
18. Lament - (take 1)
19. I Don't Wanna Be Kissed (By Anyone But You) - (rehearsal)
20. I Don't Wanna Be Kissed (By Anyone But You) - (take 5)
21. Studio Discussion
22. I Don't Wanna Be Kissed (By Anyone But You) - (piano take 4)
23. Pause Track




DISC 6: ALTERNATE AND REHEARSAL TAKES:
01. Studio Discussion
02. Springsville - (take 8 without overdubs)
03. Studio Discussion
04. Miles Ahead - (take 11 without overdubs)
05. I Don't Wanna Be Kissed (By Anyone But You) - (take 3 without overdubs)
06. Springsville - (overdub take 1)
07. Springsville - (overdubbed solos 4-5)
08. Springsville - (overdubbed solos 6-9)
09. Springsville - (issued overdubbed solo)
10. Miles Ahead - (issued overdubbed solo)
11. Miles Ahead - (overdubbed solo)
12. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 1)
13. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 2)
14. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 4)
15. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 8)
16. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 19 & 19c)
17. Miles Ahead - (mono)
18. Gone - (rehearsal sequence)
19. Gone, Gone, Gone - (rehearsal sequence)
20. Studio Discussion
21. Bess, You Is My Woman Now - (rehearsal take)
22. It Ain't Necessarily So - (take 1)
23. Oh Bess, Oh Where's My Bess - (take 3)
24. I Loves You, Porgy - (rehearsal sequence)
25. There's A Boat That's Leaving Soon For New York - (remake)
26. My Man's Gone Now - (remake take)
27. Song Of Our Country - (take 9)
28. Concierto De Aranjuez (Adagio) - (rehearsal)
29. Concierto De Aranjuez (Adagio) - (alternate ending)
30. Pause Track

MP3 ~ 320Kbps ~ RS.com ~ 920mb total






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Disc One

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Disc Two

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Disc Three

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Disc Four

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Disc Five

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Disc Six

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Miles Davis and Milt Jackson - Quintet and Sextet (1964)



Cduniverse.com:
Lesser heralded than their collaboration with Monk (as documented on BAGS' GROOVE and MILES DAVIS AND THE MODERN JAZZ GIANTS), this August 5, 1955 session with vibraphonist Milt Jackson was Miles' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travellers. Miles was entering a new era of leadership and international stardom, and generally he would only record with his working groups.

QUINTET/SEXTET is notable for two compositions by Jackie McLean: "Dr. Jackle" and "Minor March" (it appears on his famous 1959 Blue Note date NEW SOIL as "Minor Apprehension"). The former is a Charlie Parker-ish line featuring a masterful Milt Jackson symposium on the blues--Miles' typically lyric approach, a tart, spacious flight from McLean, and a soulful, dancing Ray Bryant. The latter is a mysterious minor figure with jabbing rhythm breaks and a joyous bridge that recalls "Tempus Fugit." McLean's vaulting cadences and fervent cry anticipate the rapture of his mature style, and Bryant takes a harmonically adventuresome solo.

Elsewhere the group digs into the Bud Powell-like changes of Ray Bryant's low, slow "Changes" (over the rock solid groove of Percy Heath and Art Taylor), and the quirky harmonies and angular melodies of Thad Jones' "Bitty Ditty." "Changes" inspires a lovely muted statement from Davis, and illustrates Bryant's unique blend of blues, sanctified gospel and bebop. Davis and Jackson combine for pungent voicings on the head to "Bitty Ditty," then demonstrate their elegant mastery of harmony and swing. Both are inspired by the shape of Jones' line, completely unfazed by its intricacies.

Allmusic.com:
Most of Miles Davis' Prestige recordings (all of which are currently available in the Original Jazz Classics series) have also been reissued by the audiophile CD label DCC Jazz. This is one of the trumpeter's lesser-known sets, an outing with friends: the up-and-coming pianist Ray Bryant, bassist Percy Heath, drummer Art Taylor, vibraphonist Milt Jackson and (on two of the four songs) altoist Jackie McLean. The brevity of the program (only a touch over 30 minutes) keeps this enjoyable outing from being too essential.

Personnel:
Miles Davis (trumpet)
Milt Jackson (vibraphone)
Jackie McLean (alto saxophone)
Ray Bryant (piano)
Percy Heath (bass)
Art Taylor (drums)

Recorded at the Van Gelder Studio, Hackensack, New Jersey on August 5, 1955. Originally released on Prestige

Tracks:
01. Dr.Jackle 8.47
02. Bitty Ditty 6.31
03. Minor March 8.12
04. Changes 7.08

MP3 ~ 320kbps ~ Covers ~ RS.com ~ 73mb





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Miles Davis - Live At The Fillmore East (March 7, 1970) - It's About That Time (2001) [2CD]
EAC rip (secure mode) | FLAC+CUE+LOG -> 282 Mb + 292 Mb | MP3 @320 -> 99 Mb + 103 Mb
Artwork @ 300 dpi (jpg) -> 7 Mb
© 2001 Sony Music / Columbia / Legacy | C2K 85191
Jazz / Fusion / Jazz-Funk



CD1
1.01 Directions (8:44)
1.02 Spanish Key (11:16)
1.03 Masqualero (9:57)
1.04 It's About That Time/The Theme (14:03)

CD2
2.01 Directions (10:14)
2.02 Miles Runs The Voodoo Down (7:40)
2.03 Bitches Brew (8:02)
2.04 Spanish Key (8:33)
2.05 It's About That Time/Willie Nelson (11:42)

FLAC

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mp3 @320

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artwork

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Miles Davis - 'Round About Midnight
320 kbps, 133+89 mb

disk 1

1. 'Round Midnight
2. Ah-Leu-Cha
3. All Of You
4. Bye Bye Blackbird
5. Tadd's Delight (Alternate Take)
6. Dear Old Stockholm
7. Two Bass Hit
8. Little Melonae
9. Budo
10. Sweet Sue, Just You

disk 2

1. 'Round Midnight (Live Version)
2. Introduction By Gene Norman (Live Version)
3. Chance It (Aka Max Is Making Wax) (Live Version)
4. Walkin' (Live Version)
5. Gene Norman & Miles Davis (Live Version)
6. It Never Entered My Mind (Live Version)
7. Woody 'N You (Live Version)
8. Salt Peanuts (Live Version)
9. The Theme (Live version)

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Miles Davis - 1970 - The Cellar Door Sessions (6 CD Set) @ 320




The Cellar Door Sessions is a 2005 reissue of several 1970 concerts given by Miles Davis, at the Washington, DC nightclub, The Cellar Door.

Significant portions of Davis' Live-Evil were edited and compiled from the music that appears on discs 5 and 6.

It is one of the few recordings that has Keith Jarrett playing electronic keyboards. Live-Evil and this collection are the only live recordings of John McLaughlin live performances with Miles Davis.



Personnel

Miles Davis: trumpet
Gary Bartz: soprano and alto sax:
John McLaughlin: electric guitar (CDs 5-6 only)
Keith Jarrett: Fender Rhodes electric piano and Fender organ
Michael Henderson: electric bass
Jack DeJohnette: drums
Airto Moreira: percussion (CDs 2-6 only)



Track listing

DISC 01

1. "Directions" (Joe Zawinul) 8:55
2. "Yesternow" (Miles Davis) 17:05
3. "What I Say" (Davis) 13:12
4. "Improvisation #1" (Keith Jarrett) 4:29
5. "Inamorata" (Davis) 13:59


DISC 02

Thursday, December 17 (2nd set)
1. "What I Say" 13:33
2. "Honky Tonk" (Davis) 19:59
3. "It's About That Time" (Davis) 14:41
4. "Improvisation #2" (Jarrett) 6:39
5. "Inamorata" 14:33
6. "Sanctuary" (Wayne Shorter) 0:30


DISC 03

Friday, December 18 (2nd set)
1. "Directions" 13:11
2. "Honky Tonk" 18:31
3. "What I Say" 15:09


DISC 04

Friday, December 18 (3rd set)
1. "Directions" 11:53
2. "Honky Tonk" 17:00
3. "What I Say" 14:12
4. "Sanctuary" 2:03
5. "Improvisation #3" (Jarrett) 5:04
6. "Inamorata" 15:14


DISC 05

Saturday, December 19 (2nd set)
1. "Directions" 15:09
2. "Honky Tonk" 20:49
3. "What I Say" 21:31


DISC 06

Saturday, December 19 (3rd set)
1. "Directions" 19:04
2. "Improvisation #4" (Jarrett) 5:03
3. "Inamorata" 18:27
4. "Sanctuary" 2:12
5. "It's About That Time" 7:49




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Miles Davis - Kind Of Blue







Kind of Blue: 50th Anniversary Collector's Edition is a two-disc box set reissue of Miles Davis's studio album Kind of Blue, released September 30, 2008 on Columbia Records and distributed through Legacy Records. Contrary to the edition's title, the release precedes the album's fiftieth anniversary of either recording date or original issue date.

The collector's edition features the original Kind of Blue album in its entirety with the "Flamenco Sketches" alternate take, the rare "Freddie Freeloader" false start, and a selection of in-the-studio dialog from the Kind of Blue sessions on the first disc. The second disc features rare musical material from the classic sextet's recording sessions, including the May 26, 1958 session, which was previously available on The Complete Columbia Recordings: 1955-1961 and 1958 Miles. Also included on the second disc is the first authorized release of an extended live performance of "So What" from the 1960 Den Haag Concert.



Disc one

01. So What – 9:25
02. Freddie Freeloader – 9:49
03. Blue in Green – 5:37
04. All Blues – 11:35
05. Flamenco Sketches – 9:26
06. Flamenco Sketches (alternate take) – 9:33
07. Freddie Freeloader (studio sequence) – 0:53
08. Freddie Freeloader (false start) – 1:27
09. Freddie Freeloader (studio sequence 2) – 1:30
10. So What (studio sequence) – 1:55
11. So What (studio sequence 2) – 0:13
12. Blue in Green (studio sequence) – 1:58
13. Flamenco Sketches (studio sketches) – 0:45
14. Flamenco Sketches (studio sketches 2) – 1:12
15. All Blues (studio sketches) – 0:18


Disc two

01. On Green Dolphin Street (Bronislaw Kaper, Ned Washington) – 9:50
02. Fran-Dance (Davis) – 5:49
03. Stella by Starlight (Victor Young, Washington) – 4:46
04. Love for Sale (Cole Porter) – 11:49
05. Fran-Dance (alternate take) – 5:53
06. So What (live) – 17:29

Bitrate: 320kb/s





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