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Sarband - Music of the Emperors
Sarband
Music of the Emperors

Album : Music of the Emperors
Artist : Sarband
Release date : 1992
Label : Jaro Music
Number of discs : 1
Genre : Medieval
Total size : 145 MB (mp3), 261 MB (FLAC & CUE)
Total time : 01:02:50
On this CD :
1. Nel Mio Parlar (Jacopo Da Bologna)
2. Muttettu (Traditional: Sicilia)
3. Rast Pesrev (Anonymous)
4. Donna Fallante (Anonymous)
5. Nikriz Pesrev (Anonymous)
6. Dolce Lo Mio Drudo (Anonymous)
7. Neva Ceng-I Harbi Part I (Anonymous)
8. Gazel-Rast Nakrs Beste (Abdülkâdir Meragi)
9. E Vantende, Segnor Mio (Anonymous)
10. Strenci LI Labri (Anonymous)
11. Lamento Di Tristano (Anonymous)
12. Rast Kar/1 Muhtesem (Abdülkâdir Meragi)
13. Neva Ceng-I Harbi Part II (Anonymous)
@ 320 mp3 + FLAC & CUE
Ensemble SARBAND was founded in March 1986 with the aim of showing, through concerts and research, the relationship between early European music and the musical cultures of Islam. SARBAND is a term used in a 14th-century Syrian manuscript to refer to the coupling of two parts within a musical suite.
SARBAND is a unique kind of musical ensemble, which draws its inspiration from various musical cultures, integrating them into its programme. Their multi-facetted répetoire comprises oriental and occidental music from the Middle Ages, as well as Baroque and contemporary musici ietimes also presented, in larger-scale projects, in scenical versions.
The roots of medieval music are to be found in the oriental musical cultures. Spain and Italy in particular were strongly influenced by musical elements from the oriental world: monophony, modal systems and rich ornamentation.
These roots are frequently denied or ignored to this day. The picture of Europe as the centree of the world ist still deeply engrained in Eurpean consciousness. The influence of Islam on the Europe of the Middle Ages was, as already mentioned, considerable.
The musical director of SARBAND, Vladimir Ivanoff gave special attention in designing programmes and selecting the Turkish, Italian and German musicians, to ensure that the musicial dialogue goes beyond the cultural taboos between Christianity and Islam existing today, that European and Arab instruments are both to be heard in Moslem Sufi Music prayers and Italian religious songs.
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Last edited by ShoePac; 28.01.2010 at 23:42.
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